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Where
is Saint George?
Pagan Imagery in English Folksong
30th Anniversary Edition, New Introduction and Notes
Book by R.J. Stewart
Anyone interested in the British folk tradition--participants or academics--must
often ask themselves many questions. What is the significance behind the
apparently meaningless words of the Padstow May Song? Why was the harmless
little wren once ceremonially hunted on one day in the year and immortalized
in the folksong The Cutty Wren? And what connection does St. George, patron
saint of England, have with the Divine King regularly sacrificed in a
fertility rite by our prehistoric ancestors? In an attempt to answer such
questions as these, this thought-provoking book suggests that certain
basic images found in traditional songs, and certain musical phrases linked
inseparably with them, were once common to Celtic--and indeed, pre-Celtic--forms
of worship, and were only later absorbed in Christian ritual. To support
this theory R.J. Stewart analyses in depth five well-known folksongs--all
of them collected originally in the West Country--and examines the 'hidden'
meaning of their words in relation to pagan myth and ritual; while in
a section on 'Musical Consideration' he demonstrates how plainsong, the
basis of formal music, developed from folk-music roots. By comparing these
songs with other examples and by drawing upon mythology, classical parallels,
early church records, oral lore and poetical intuition to illustrate his
argument, the author shows clearly that the key to folksong tradition
is the primitive consciousness from which it arose.